Palm Garden House (1974鈥76) marks a most听important moment in Australian housing. Its light cradling of space听and absolute immersion in landscape has affected and inspired听generations of architects.
The house hugs the western earth wall and tucks into听a palm-filled gully on Sydney鈥檚 Northern Beaches. For 45 years听it has nourished its owner, who shares it with the birds, insects听and water dragons that inhabit this cool, meandering oasis听of garden and water.听
Clearly influenced by his time in Japan and his deep听respect for land and landscape,听Leplastrier听chose to place two听small-footprint rooms with their vaulted, hull-like ceilings toward听the west of the site and to connect these pavilions with a linear听arbour of fine steel framing. A secondary roof runs the length听of a southern rammed-earth wall and protects the compact听service spaces. The earth wall continues beyond the pavilions听and lightly defines the garden within a palm grove. As听Leplastrier听explains, 鈥淚mplicitness is far听more alive and rich听and experiential听than explicitness.鈥 *
The craft and craftsmanship evident in Palm Garden听House heighten the awareness of the hands that have made听these spaces. The high, semicircular roof rolls back and opens听to the sky, a fly roof of rolled copper sits above the rich timber听ceiling, origami-like pleated fabric fills the arch and fabric听walls can be lowered and raised. The play of materials and听detail, solidity and fragility, complexity and simplicity听is听deeply听memorable. Palm Garden House is ephemeral yet enduring,听complex yet elemental, garden yet house.
Footnote:
*Quoted in Ray Edgar, 鈥淔alling in love with landscape,鈥 The Sydney Morning Herald,听8 May 2020.听
The 蜜桃影像 acknowledges First Nations peoples as the Traditional Custodians of the lands, waters, and skies of the continent now called Australia.
We express our gratitude to their Elders and Knowledge Holders whose wisdom, actions and knowledge have kept culture alive.
We recognise First Nations peoples as the first architects and builders. We appreciate their continuing work on Country from pre-invasion times to contemporary First Nations architects, and respect their rights to continue to care for Country.