The Ӱ Awards program offers an opportunity for public and peer recognition of the innovative work of our Queensland architects. The program also provides the Institute with a valuable mechanism to promote architects and architecture within Queensland, across Australia and internationally.
The Queensland Architecture Medallion is the highesthonourin the awards program and is selected from all the named Awards. The award, now in its second year, is bestowed upon a project of an exemplary standard.
The 2021 Medallion is presented toCA Architects and Cox Architecture in collaborationfortheCairns Performing Arts Centre(CPAC).
Together with the Munro Martin Parklands, CPAC creates a new arts precinct for both the city and theFarNorthQueensland region.The building has a quintessential Queensland character,celebratingits tropical location aswell as the region’s cultural diversity.The complex and highly technical buildingisbeautifully detailed and delivers unprecedented and functional flexibility for a regional performing artscentre.
The building benefits from the collaboration between the twoarchitecturalpractices,who havea strong working relationship, bringing both expertise and local knowledge to the project.
CPAC is a significant cultural asset forthecity enabling a diversity of cultural experiences and stimulating economic growth. It is already a building thathas become part of the city fabric and of the community.The client,Cairns Regional Council should be commended on its foresight,courageand commitment to delivering a building of excellence for its residents and the broader region.
The architects, the broader team and the client, (Queensland Government) should be congratulated on a shared commitment to excellence.
Tamarind engages, educates, and advocates as an expert in the promotion of heritage architecture to the broader public whilst contributing to the architectural profession through research, thought leadership and as a mentor for emerging architects.
This is exemplified by her nuanced heritage-focused work across multiple institutions anddisciplines;providing valuable accessible research and raising public awareness in an area of growing cultural importance.
Tamarind’s commitment to excellence in practice and her leadership qualities are also evident. This is seen through her position as an associate and heritage project lead at Conrad Gargett, her volunteer work in Myanmar with the Yangon Heritage Trust, and as a researcher with contribution to international heritage journals. She is also currently working on the documentation of modern heritage buildings for the DOCOMOMO Queensland Register, and as has been a consistent mentor in both practice and teaching, through her involvement withEmAGN.
Congratulations Tamarind!
Situated at the gateway of Brisbane’s Golden Triangle business precinct,The Annex exemplifies Brisbane City Centre MasterPlan’s visionof anopen, vibrant city.The buildingsform,façade treatments,landscape,and spatial structure celebratestheadjacenthistoricalfig groveand Brisbane’s wonderful sub-tropical climate.
The towerformis grounded on a highly permeable public domain with plinths and seating arrangements that are 24/7 accessible providing areas to eat, meet,andconnectunder the fig-tree-canopyinspired soffit. The fig tree’s shape and underlying textures inspire the detailing throughout, lending a richness to thebuilding’sformandmateriality.
Aninterconnecting egress stair risingfrom the street levelto an exclusivelandscaperoofterrace, links 12 boutique levels to form acontemporary connected workplace.TheSide core configurationmaximisesnatural light and views,within the tenancy,totheBrisbane riverand surrounding context.The landscape roof terrace provides a high-value amenity for users as well as enhanced outlook for neighbouring buildings.
TheLand 121FacilitiesProjectskilfully transcends tightly regulated financial, functional andgovernmental designrequirementsto create a well-balanced and humanised facilities to support, maintain, and sustain the new vehicle fleet for the Australian Defence Force.
AStrict palette oflow maintenancematerialsanda consistentsuite ofrobustdetailingis carefully deployedacrossnineindividualbuildingswithvaried functions.Theenvironmental performance of the buildings is commendable, emphasising mixed mode cross flow, natural lighting and responsive sun shading strategies to reduce reliance on air conditioningin thedrytropical climate.Covered interstitial spaces between regular functional areasoffers flexibility and adaptability for casual interactionand informal activities.
Asuccessfulexercise ofrestraintandskilled deliverywith potential forrollouton other sites.
Positioned on the fringe of theToowoombaCBD, 111 Campbell Street is inspired by regional vernacular architectureandthe city’s rich heritage.An exemplar development for urban renewalthe projectprovidesahighlevel ofamenity andmixed use, isantransitioning suburb, that isappealing for residents, visitors,businesses and investors. The building design and siting is responsive to Toowoomba’sdistinctive temperate climate.Naturalventilation creates acomfortable environment all year round with minimum heating or cooling required. An active ground plane ensure synergies are maximised with regards to retail, circulation, andstreetactivation.
FortitudeValley State Secondary College is the first vertical school in Queensland. Teaching spaces stretch over eight storeys that embrace the central multi-storey void. This space includes lushly landscaped external learning and socialising spaces. The notion of the playful, imaginative treehouse is strongly evident in the massing and the individual pods to each floor. The abundance of the soft landscaping assists in blurring the boundaries between inside and out, while providing an opportunity for quiet, private space within the central, open public spine.
Outdoor teaching and learning spaces are created throughout the tight urban campus. They provide a variety of contemporary learning environments that allow for great flexibility as the school embraces new and experimental teaching models, meeting the changing educational needs of its students.
The material palate is mature and playful,elegant,and fun aiming to increase student comfort within this large vertical knowledge precinct and encouraging curiosity, innovation, and collaboration.
The new campus design includes the reuse of the former school building on Brooke Street allowing the new high school to be connected to the original primary school. It is refreshing to see the strong connection the campus is making with its urban context, celebrating its location in theValley,and utilising the wider city for educational opportunities.
Despite its very prominent presence on theBrisbaneskyline, BGGS Science Learning Centre has a quiet presence within the heritage context. On entering thebuilding,the design ideas of science and cosmology become evident within thecircular atrium, open to the sky.The funnel like vertical void is naturally ventilated and its curvature offers a wonderfully surprising contrast to the square external form. Within the atrium andunder the oculus,the trio of stairs rotate from grid north to solar north to magnetic northrobust stairs offering a practical learning opportunity as well as a sculptural piece.
Below the four science floors there is a floor of general classrooms and a flexible function space that continue a science theme but this time through the celestial realm. On the lowest level,undercroftspace has been cleverly utilised to expand the campus’s HPE offering by opening ontoVictoria Park.
The building offers a striking façade to the surrounding neighbourhood while creating an intimate and inspiring space within the school that does what all good education buildings should do- it invites enquiry and curiosity from students.
St Rita’s College’s Trinity Centre is a five-storey building submerged into the southern side of the site with genuine consideration of its neighbours.
The building successfully managesa number oflevels on the hilltop campus improving accessibility across the site.The lower two floors include classrooms with a triple-height foyer above connecting the flexible auditorium and a range of performing arts spaces.The lower-level classrooms opened to the south and include clever slabcutoutsthat allow for natural ventilation and beautiful southern light. The wide circulation zones allow for flexible student learning and well-loved break out spaces.
The performing arts component of the building includes a state-of-the-art auditorium with a flat stage and natural light that enhance the multi-purpose nature of this room. The music practice and performance spaces are the envy of any school music programme with sizes and anacoustic requirementfinely designed to suit different musical ensembles.
With its comfortable, mature but playful interiors, the building meet the College’s brief to celebrate and inspire its students.
JCU Ideas Lab is a dramatic addition to the series of iconic building on theCairnsCampus. The building is wrapped in a ‘folded’Teflonfabric that speaks to the innovation encouragedwithin the building. As its name suggests the Lab is a space for start-up companies to work withcommunity partnersto translate ideas and research into commercial products and processes. All design decisions have been made around improving connectivity and transparency and to create real maker spaces.
The focus of the building is to bring people from a range of backgrounds and industries together and this is encouraged through a welcoming open plan ground floor. Interactive activities take place in the impressive three storey room with its spectacular wall of tropical tendril hanging plants that are planted both inside and outside and provide a genuine sense being in the tropics. The external screen reduces both heat and glare into the workspaces and the building has achieved. The colour palate throughout the building is bold and brings life and legibility to the spaces thatcanhave quick turnover or occupants.
The JCU Ideas Lab is still in its infancy, yet it has already become a beacon for innovative collaboration in the region and is making a significant contribution to economic growth.
The new Senior Learning Centre at Springfield AnglicanCollege sits within the beautiful bushland campus. The building, designed to create a learning environment to assist the transition of years 11 and 12 to life at university, is the next stage in the College’s master plan. The planning is deceptively simple and allows for a variety of teaching and learning modes as well as unobtrusive supervision. Kurrajong is beautifully detailed with a tranquillity to the spaces that is achieved through the mature finishes and colourselections.
Indooroopilly State High School has a long history of a school of excellence and the new learning centre delivers on the promise to be innovative and inclusive. The new building sits comfortably within the site of magnificent gumtrees, is cognisant of its neighbours and provides extraordinary views and connection to the significant asset of the school ovals. Thehero is thecourtyard and bridge that bring together students in a playful and nurturing space but also allows for a variety of formal and informal learning areas.
Elongated and cellular, the existing 1980s building has been cleverlyopened upand transformed into series of friendly and welcoming early learning spaces. The interior pallet is neutral, simple, sustainable, and engaging, while the scale and thoughtful detailing is clearly appropriated for little children. The journey of first five years of life is mapped out along the meandering axis through the building with contiguous and strong connection to the generous landscaped outdoor spaces.
St Patrick’s College was founded in 1878 and is located on the prominent site on the Townsville foreshore. The newbuilding makes a significant contribution, not only to the College in terms of new facilities for the library, classrooms and specialist spaces for music, drama and dance, but also to the wider community. In practical terms it provides a new auditorium thatcanhave a wider community use, but it also creates a façade that while subtly telling the story of theSisters of Mercy through the beautifully designed screen of lace, the Mercy cross and the rose, invites enquiry and intrigue.
The restoration and addition to the 1975 RodneyChambers heritage-listed house, seeks to ensure that this significant architectural gem continues to delight its residents. While the modest addition and the reconfiguration of spaces meets the requirements of the clients, they do not compete with or overwhelm the original experimental design.A number ofsmall insertionsintegrated and concealed services and attention to the original material pallet celebrate and reinforce the design ideas. The house is a prominent landmark on Teneriffe Hill and the new work ensures that this rare exemplar of modernism remains relevant and liveable well into the future.
TheMary RiceEarly Learning Centre is a successfuladaptive re-useof an underutilized siteand building. The project ‘rescued’ an unremarkable building from demolitionby addressing planning and structural constraints with thoughtful spatial rearrangement and creative removal of fabric,toopenopportunities to repurposing.The resultdeliversa comfortable and stimulating early learning environment for the children to learn through experience.
The architectsusedthe metaphor of city place making as a planning framework to support the social, physical development,andbehaviour patternsof the children.Corridorsbecome streets,beingplaces to displayartworks, adding vibrancyto the circulation spaces. Activityrooms areconceived asa collection ofpublicspaceswhereplanned interaction occurs. All activityrooms are connected to thelarge outdoor landscape which offers further nature play opportunities and connection to thegardens.
The careful and playful assemblies of materialsand pattern making,referenced from the existingsite, adds a layer of wayfinding and fun to an interior setting that inspirestheimagination for childrenand parents alike.
Transurban’s biophilicBrisbaneofficeis a successfulcollaborationbetween thearchitect, designers and client.The result is a workplace reflective ofTransurban’s global presence andculture,imbue in a sub-tropical setting.
Graceful curves in the plan form, orchestrates a series of meetingpods and interstitial spacescatering for collaboration and contemplation.Theresolvedmaterials palletand landscape design, complemented bypanoramic views of the city skyline, amplifies the connection with nature and place.
An interconnecting atrium and internal stairscreatean open focal point for the interior,promotes connectively betweendifferentspaces across thethree floorsand bring daylight into the deep plan.Unlike typical workplace design, the workstation density is low, and ahigh proportion of space has been dedicated to share spaces that promote interaction and collaboration.
This is acase studyofcontemporary workplace design,that emphasesbiophilic designand sustainability, provide choice to support a variety of activities, enable and connect with seamless technology, inspire creatively and innovation,andfoster a sense of community.
Cairnshas a proud history of delivering a high-quality performing arts programmes to its community and visitors. However, its existing facilities couldnotattract many touring shows. CPAC delivers a state-of-the-art building that reflects the city’s commitment to delivering the best for theCairnsand FNQ community. The complex and highly technical buildingcreatesunprecedented and functional flexibility to support not only more performances but more variety in the type of performances.
The building is undeniably of it’s place reflecting the colours, filtered light, lush vegetation and lifestyle of the wet tropics. The external screen and concrete soffits create a generous outdoor room extending the volumetrically complex foyer space. With a servery that opens up both internally and externally, this space feels welcoming to the wide range of patrons that CPAC attracts. The building and its landscape generously contribute to the street both in performance mode and on ‘dark days’.
CPAC is a significant cultural asset for a city- a public building that willenablemore cultural experiences and as well as economic growth.
The fire that destroyed the old Waltzing Matilda Centre in 2015 was an enormous loss for the town of Winton-a loss of artifacts, of history and a loss of visitors. The new building not only delivers a purpose-built museum to celebrate Banjo Paterson’s bush ballad, but through its unique architectural expression has created much curiosity and excitement for both locals and travellers.
The Centre embraces its important location on the main street with its dramatic form and subtly introduces the Waltzing Matilda musical score in the battened screen. The raw, earthy expression through both materials and form reflects the harsh and dramatic landscape that inspired Paterson and continues to amaze all those who visit. The storyof water and geological formations is represented through the architecture by sophisticated abstraction and rich interiors.
The Waltzing Matilda Centre has surpassed the client’s expectations and again put Winton firmly on theٰ’smap.
The new Surgical, Treatment and Rehabilitation Service (STARS) is the first stage of the Herston Quarter, an ambitious project to deliver a mixed-use community which will cater for health, residential,commercial,and retail development. The building has a formal and ordered expression that creates a sense of permanence with a scale that doesn’t overwhelm.
The lower acute facility creates an environment more conducive to healing and recoverythrough the use ofless clinical materials and access to light and landscape. Despite the complexity of the programme, clever planning allows visitors to orientate themselves throughout the building through external views. The interior therapy and recovery spaces take advantage of full height windows and spectacular views. Warm tones, natural materials and careful detailing sets the facility apart from most hospital environments.
While the full benefit of the landscape on the broader site it yet to be realised, the known health benefits of providing opportunities for patients to both engage with andlook intothe landscape has been achieved with the lush internal courtyard.
STARSseeks to improve the patient and visitor hospital experience and establishesa strongprecedent for welcoming people into the new precinct.
In the rugby league obsessed city of Townsville, the new Queensland Country Bank Stadium has been embraced by the community. The new location has given the venue a much-improved relationship to the CBD and the architecture reflects this with a horseshoe shaped bowl that generously opens its magnificent roof structure towards the city.
This25 000-seatstadium is a catalyst for change and growth in the city. It has been designed with the patron at its core while ensuring economic sustainability through the flexibility to host games, largeconcerts,and multiple functions. The mix of spaces and venues throughout the stadium provides unique experiences for thegeneral public, corporate visitors and enthusiastic members.
As the visitor moves through the multiple levels, views of the field, the important local landmarks of Castle Hill, Magnetic Island and Mt Stuart ranges are skilfully framed to orientate the visitor and create a sense of place. The striking roof is impressive in its simplicity despite the cyclonic conditions and the extraordinary spans. It has been designed to be reduced to its most simple and logical form creating great value for the publicly funded project.
This is an international stadium that beautifully reflects its tropical regional setting.
TheBeckStreet residence makes an intriguing delight of the building’s location in a flood prone area, while enhancing the qualities of an existing 1960s brick and hardwood framed home. The concrete and brick base of the refurbishment, constrained by an overland flow path and sewer that run through the site, enables the lower level of the house to be permeable to flood waters. Defined with a palette of red and terracotta, the base is cool and robust, moderating the light and temperature in an inventive and very effective response toBrisbane’s sub-tropical weather and hydrology.
In retaining the existing garden walls and house, the design manages an enhanced connection to the ground and beautifully landscaped gardens that is unexpected on a site constrained by minimum habitable floor levels. Beyond the sophisticated strategy in managing the site’s ground plane, the home is anchored about the verticality of established gum trees, giving form torooms,and developing an upper-level palette of silvers and greens. The orientation of rooms, screening walls, and openings in the walls and roof carefully moderate the light,breezes,and outlook. Details are striking in their simplicity and nuance, enhancing the functional needs of a home that is a delight to reside in.
TheClayfieldFern House reconceptualises the ubiquitous strategy of adding a back-deck to a traditional Queenslander. Existing car garages and sheds are removed and accommodated within theundercroftof the house, freeing up the north-east area of the site for play spaces and gardens. The existing kitchen is repositioned, enabling the rear wall of the house to be opened-up, providing a greater connection between the existing living spaces and the backyard. A voluminous two-storey, timber-battened, room is added to the rear of the existing house. The materials and proportions of the new work complement the existing timber house and reinvigorate the adjacent rooms with improved daylight, access to breezes and outlook. The refurbishment makes simple adjustments to the planning of the house that provide significant improvements to accommodate contemporary amenity within the scale of the existing structure.
A unique entry experience is created for the residents with the arrival into the protected outdoor enclosure that is both landscape and a room within the home. There is a delightful play of light and shadow in the addition that is reminiscent of traditional fern houses, familiar in sub-tropical gardens, that is celebrated here in an inventive and unique outdoor living room.
The Terrace refurbishes a 1930s heritage-listed home, designed by Charles H. T. Griffin, and constructs a new wing to accommodate contemporary living spaces. The design embraces the forms and materials of the existing building, providing an addition that is both distinctive and complimentary to the pairing of historical and contemporary architectural styles. An airy and light-filled connection is made to the garden and north-east aspect of the site. An enjoyable juxtaposition between the old and new roof forms reorientates the adjacent existing, interior-focused, rooms towards the social spaces of the house and garden.
The Poinciana House creates a series of landscape rooms, formed by the edges of the refurbished and newly constructedbuilt forms, that delightfully embed this home into the site. The new elements of the house – the carport, fireplace, kitchen, and pool, are pulled apart to form a series of outdoor spaces, each with a distinctive characteristic for favoured orientation, sociability, and use by adjacent interior spaces. The existing timber house is enhanced through simple yet ingenious details that improve security and ventilation while also constructing protected views towards Mt Coot-Tha to the west.
Positioned high on the edge of the St Lucia Reach of theBrisbaneRiver, theRiverbankHouse is orchestrated between the steep landscape of theriveredge and a private courtyard for a family in a suburban setting. The design connects the living areas of the new home, through the restored landscape of theriverbank, to the water’s edge. The maintenance of remnant stairs and garden walls, along with the integration of native plantings, firmly imbed the new building into the historically layered landscape.
Large, parallel, concrete walls define a cavernous territory through the site that gives a distinctive form to the house and to the courtyard orientated towards the north. Cool, protected, and with a direct connection to the landscape, the lower level of the home is reminiscent of the understorey of highset Queenslander. The pond to the edge of the courtyard reflects northern light onto the ceiling of the living space as a playful doubling of theriverbeyond. A timber brise-soleil wraps the elevated bedrooms, modulating daylight and privacy, making a distinct presentation of the family home to the street.
Set on a steep bushland block of a dry, gum, eucalypt forest, the Mt Coot-tha House is imbedded with ideas of connection and refuge within its immediate environment. A central staircase, largely in parallel with the slope of the site, is delightfully expressed as a bold blockwork axis at the scale of the adjacent gum trees. High level windows afford a variety of well-positioned views towards treecanopies and far-off views of the broader landscape, while carefully crafting a diffused daylight that softly illuminates the limited number of materials that have been used.
By stepping the plan of the home with the site, a lush green courtyard is formed between living spaces that is consistent with the volumes of the interior spaces. Climatically and visibly distinct to the adjacent bushland this verdant landscape, held within the plan of the building, offers a welcome contrast to the adjacent dry and steep bushland. The relatively prosaic materials of concrete-block and galvanised steel are employed in an economical construction method that eschews bespoke details in favour of crafted volumes, the control of daylight, and integration of landscape in the design.
The Long Road House is situated at the southern edge of Tamborine Mountain, bordering a subtropical rainforest and creek. The delight of this dwelling is the composition of a set of spaces that are more veranda-like, in their method of enclosure, screening, and occupation, than conventional rooms. The materials and form of the house is reminiscent of a farmhouse or rural shed that has been adapted with camping techniques that improve the mediation of the environment while being economically constructed and simply connected to the site.
The arrangement of the house forms a large courtyard that is wrapped by shade cloth, providing protection from the sun and insects. The protected courtyard is a focal point for the life of the home, accommodating outdoor cooking and gatherings along the edges of the building. The upper level of the house is elevated to thecanopy of the adjacent trees affording an opportunity for prospect and refuge. Thelower-levelbunkrooms and bathroom open out towards the creek providing a close connection between the more intimate areas of the home and the activities of the rainforest.
Perched on ahillsideofMinjerribah, overlooking the Pacific Ocean, the Baker Boys Beach House provides a platform for multiple families to gather and share holidays together. Taking its form from the arrangement of local campsites, supporting generous communal areas and deconstructed washrooms, the house accommodates a variety of gathering spaces to enjoy and illuminate the benign environment of the island. Living areas promote an unencumbered view towards the ocean, while also being nestled into the bushland of the hillside.
As a pair of elevated houses on a sub-divided site, Twin Houses is an elegant example of infill development in a middle-ring suburb ofBrisbane. Through the employment of modular and economic construction techniques the project prioritises the integration of landscape, access to light and breezes, and social connectivity from within the home and tothe street. The design allows for simple future adaptability to create additional enclosed spaces, as may be required, and employs landscaping to mediate light, dust, and privacy.
Overlooking the NoosaRiver, Las Palmas is inspired by the style of Palm Springs mid-century modernism and the employment of this style’s qualities in a sub-tropical environment. The central living area, conceived of as a lanai, makes an exceptional connection between the courtyard, sheltered by concrete walls and horizontally banded roofs, and the garden that steps to theriver’s edge. The home is remarkable in providing a careful balance between the client’s desire for a private refuge that also affords a prospect towards theriverand a generous connection between indoor and outdoor spaces.
Designed for outdoor living andinspired by nature,theAlondra Residencesaim to foster a sense of community living and active lifestylefor seniorswithin a visually connected garden setting.
Lush gardensextend verticallyon every levelthrough the centralgreenspineoffering interstitial spaces for social interaction and retreat. A range of social uses including library,BBQ, and resident function areaarenested within thisverticalverdant landscapethat iselevated with a prominent outlook to the neighbourhood.the eight-story building’s bulk and composition are appropriatelyscaled andaggregated, providingasensitivecontributionto the surrounding low to medium–densityneighbouringbuildings.
Alondra Residence is a good example of the vertical small house model targeted at the new consumers in retirement living who are accustomed to a higher standard of living compared with generations past.Thesesub-tropical homesarebright,airy,and built for residents to age in placewithall apartments designed to exceed Liveable Housing Design Guidelines Gold standard.
Cornwall Street Affordable Housingsetsthe standard for high density sub–tropicalaffordable housing.Itis an exemplardevelopment modelof government and community housing sector partnershipsdeliveringgood quality,affordable,housingforthe state. Situated in an emerging neighbourhood renewal area of Buranda, the project deliversasuitable contextual response to the constrained site. Thenaturally ventilatedbuilding providesa sanctuary of comfortableprivateliving spacesfor residents, enhanced withsmallscalecommon areasat each level thatpromotesocialinteractionandneighbourlyconnection.
Door42 is a successful social housing demonstration project delivered bythe Department of Communities, Housing and Digital Economy in partnership with the Office of the Queensland Government Architect.This projectprovides awell-designed,homely,andsecureenvironment forat-risk youth seeking refuge.Within a landscapeorientatedenvironment, the designsuccessfully managesthedifferentfunctional requirementsofconsultation and livingspacesthat necessitatedifferent levels ofprivacy. A supportivecommunity–livingplace has been establishedwith freedom and opportunitiesfor residentsto develop social cohesion.The site planning arrangementmaximizespassive solar designandcrossventilationforroomsorientatedaround a central,shared,outdoor activityspace.
JCU’s Central Plaza is a charismatic addition to the Townsville campus that provides a pivotal public space within the University’s master plan. Located at a nexus of the University’s cross campus links, as part of a larger connected walkway system, the plaza makes a welcome engagement with the adjacent creek riparian and a nearby water feature, improving the thermal comfort of this gathering space. The plaza contains a pavilion with a dramatically shapedcanopy, offering shade, shelter, and a form of campus identity. The pavilion has a modest footprint, accommodating small gatherings, and carefully extends its program into the adjacent landscape to operate as a stage for large events and performances.
The roofcanopy of the pavilion, developed from two connected but opposing tapering vaults, was conceived by the architectsas a means toreflect the history of the University and its engagement with the community. The compelling geometry and cultural intent of thecanopy is amplified by the integration of the artwork “After the Flood” byQuandamookaartist, Megan Cope. The artwork illustrates how environment, identity, and geomorphology are interwoven over time, and reinforces the design attributes of this memorable gathering space within the centre of the campus.
Locatedon a busy corner block in a light industrial area,Doggett St Showroom is a beautifully composedbuildingthat contributes significantly to both streetscapes. The corner block offers two separate entries which have been cleverly handledso the upper andlower levelscanbe connectedor separated.
The existingtimber cottage was liftedandrenovatedto create a charmingworkspace that couldbe returnedto a livingspace. Theundercroftdelivers a light filledflexible space thatcanbe additional livingspace for the upper floor orcanbe occupiedindependently for commercial use.
Key to this project is the integration of landscape that in various locations adds surprise, connection, andliveability to this compact project. The architects’desire to retain the outcrop ofBrisbanetuff firmlygrounds the project in its place.
The permeable brick screen to the west not only provides sun protection andprivacy for thegroundfloor space but brings the landscape into the internal space creatingan extraordinary tranquillity it what couldbe a harsh andnoisy environment. The restrainedmaterial pallet adds to both the serenity andfocus on the landscape elements.
This project hastransformedan unremarkable cottage that hadlittle relationship to its two frontages, to a beautifullydetailedandspatially sophisticatedbuildingthat engages architecturally andsocially with both streets.
UlsterLane offers surprise anddelight for those whodiscover it. The lane has been cleverlytransformedfrom essentially adriveway andservice court into a vibrant andintimate space forgathering, eating, anddrinking. The laneway also provides access to the upper floor tenancies creatingan address for these spaces andensuringmovement andactivity through the space.
Layers of the buildingfabric are peeledback allowingvisitors to experience thegrittiness of the brickwork juxtaposedwith the finedetailingof the lights, the new stairway, andamenities.
UlsterLane will invigorate this part of the city bothduringtheday andnight andgive visitors a much-lovedglimpse into our heritage.
Campus to Country is a strategy to help the QueenslandUniversity of Technology’sdecision makingwhendevelopingits twocampusto reflect, acknowledge andcelebrate the relationship between theuniversity’s builtenvironment, Aboriginal people andplace.
Campus to Country is an overlay forQUT’s master plan. It is intendedto have a practical application todemonstrate how future built formcangive staff,students,andvisitors a spatial experience of Country. The spatial frameworkdevelopedoutlines four elements- prompts, tracks,typologies,andpallets. The work beautifully maps the tracks andsites of cultural significance across both campuses showinghow these areas were occupiedprior to colonisation. Framework plans were thendevelopedfor each campus basedon the stories,journeys,andhistory of theTurrbalandYugarapeople. Thediagrams andcarefully chosen exemplars,describe each of the spatial interventions which align with significant cultural features.
QUThas one of the largest cohorts of Indigenous Australian students andthis workgoes a longway to ensuringthat theuniversity’s builtenvironment is one that is inclusive andwelcoming. It seeks to reflect the culture andhistory of Indigenous Australians andparticularly to understandthe landwhichQUTinhabits.
CUIdeas Lab is innovative three storey buildingwithgoodinterconnection between the three storey collaborative spaces. The engagedsustainability principles target LEEDBD+C v4Goldratingevident through the provision of well insulatedcladdingmaterials, extensivescreening,andthe use ofgreenery throughout. The buildingstrongly responds to the tropics andin addition incorporates significant energy savingsystems andwater efficiency features. Sustainable anddelightful,JCUIdeas Lab buildingis agreat example of the architectural outcome respectful of its context, occupants andtropical environment.
TheBigSmallhouseembraces the principles of“The Least House Necessary”,deliveringamodestly sizedhomedesignedfor sustainable tropical living. The house is orientatedandsitedtomaximise passive cooling,capturebreezes,andconnect to the lush tropical landscape.The narrow plan,generousopenings, centralvoidandclerestory windowsallows the light filledhouse to naturally ventilatekeepingoccupants comfortableyear-round.
Integral solar screening to the building’s facade articulates and celebrates the curation of sun, reducing solar gains while allowing daylight to illuminate deep into the floor plate.
The building design incorporates a commendable commitment to modelling and reporting on predicted and reduced energy and emissions targets. Servicing is designed with sustainability at its core with considered investment in a substantial solar array, water harvesting, and bioretention.
ModWestis one of the most recent addition on University of Queensland’s St Lucia Campus. This contemporary teachingandlearningfacilityhavebeendesignedandbuilt within a year to respondto the immediatedemandfor collaborative student spaces on the campus. There is a five-year plan todisassemble the entire structure andreuse at UQ’sGatton campus.
This sizabledemountable andmodular buildingis manufacturedin Australia from largely local materials andis highly functional, cost effective solution. It responds to the University’sdemandfor collaborative, large andflexible teachingandlearningflat floor spaces arrangedin the V-shapedplan that encapsulates private outdoordeck area. The colour andtexture of the proprietarycladdingfaçade panels was carefully selectedto allow the buildingto nestle into the site which sitsin close proximity tothe historically significant Forgan Smith forecourt.
Delivered under the LAND 121 program, thenew precinct for the 3rd Combat Services Support Battalion comprisesa total of nine buildings. The collections of buildings accommodateavariety offunctionswhichare consolidatedinto larger multi-usebuildings.
Building forms are simple and economical, withsophisticated manipulation of a restrained palette of materials toachieve well resolved detailing,applied in awell-considered,standardised approach throughout the precinct.
Materials and finishes are contextualwithrecent projects at Lavarack Barracks, reinforcing a cohesive visual quality to all elements of the Barracks.Profiledzincalumecladdingand steelis integral to the architectural expression,andmeet sustainable design objectives, including natural ventilation and enhanced daylighting.
ModWestat the University of Queenslandis agreat example of fast, smart buildthat wasdesignedanddeliveredwithin a year in response to the immediatedemandfor collaborative teachingandlearningspaces. The buildingusesColorbondinsulatedsandwich panel that is a locally manufacturedandreadily available material that enabledefficient, cost effective andrapidinstallation. The versatility of theColorbondproduct, careful selection of the finish, colour andmicro V-Rib texture havegiven this temporarydemountable buildingthe appearance worthy of the historically significant site.
Completed in 1995, the Church Street Public Housing project set a new standard inthe delivery of socialhousing in Queensland.Up until the early 1990spublic housing in Queensland was largely low density single detached dwellings,in the middle and outer ring suburbs,builtfor families.The42-apartment building, located inalargely commercial and rundown suburb on the fringe of the CBD, was a catalyst for residential buildingsand regeneration ofthe area.
The sitehas three street frontages:two very busy,noisy,roads andathird quieter street facing a heritage-listed church.In aninnovativemovefor a smallGovernment project, threearchitectural practiceswere commissioned for theproject;Parish O’Neil, Cox Rayner and BlighVoller. The approachcreatedgenuine diversityin the architecture,witheach practicedesigningtwo of the six buildings,demonstrating the value of good design through thedelivery ofathoughtful urban response. A new laneway was created to bring all cars into a common courtyard, giving priority to pedestrian access from the streets and addressingnoisewithbedroomsfacingonto this protected space.Outdoorlivingspaces areprovidedto each dwelling, mediating weatherto the internal spacesand,allowing for a habitable street edge.A new park was also developed as part of the project, encompassing the mature fig trees that flank the site and heritage listed WWII air-raid shelters,showingthat a modest city park couldgreatlyimprove the amenity of theneighbourhood.
The project continues toshowcaseexceptional design through its response to ideas of territory and privacy, creating community through ‘eyes of the street’,andthe use of materials and detailingin asubtropical climate.Asrentalaffordabilityplumetsthroughout Australia, it is important to be reminded ofthe fundamental need for well-designed publicly funded housing and theimportance ofleadership, risk taking and innovation.
The Ӱ acknowledges First Nations peoples as the Traditional Custodians of the lands, waters, and skies of the continent now called Australia.
We express our gratitude to their Elders and Knowledge Holders whose wisdom, actions and knowledge have kept culture alive.
We recognise First Nations peoples as the first architects and builders. We appreciate their continuing work on Country from pre-invasion times to contemporary First Nations architects, and respect their rights to continue to care for Country.